Designed from the ground up for comfort, playability and rich tone, the GT Urban Ash debuts a new compact body shape with a big, resonant acoustic voice. The GT (Grand Theater) shares the basic footprint of the jumbo-sized Grand Orchestra shape, but its proportions have been scaled down (including a shallower body depth), creating a fun, inviting feel in a package that you can take virtually anywhere.

The GT also features a uniquely proportioned neck with a scale length of 24-⅛”, a bit longer than the GS Mini and a bit shorter than the Grand Concert. The neck provides a slinky fretting feel thanks to reduced string tension. It comes together in the GT Urban Ash, built with a solid back and sides of the responsibly sourced tonewood that gives the guitar its name. A solid spruce top helps charge the GT’s tonal response with the projection that belies its small frame, powered by the new asymmetrical C-Class bracing design, which translates the tone-enhancing properties of V-Class bracing into a sonic engine that’s appropriate for this new body shape. Expect a warm, punchy midrange accentuated by crisp treble notes, with an impressive bass response that owes its surprising power to the new bracing scheme.

A beautiful fretboard of responsibly sourced smoked eucalyptus delivers the feel of a rosewood fretboard with the tonal character of ebony, while a thin matte finish preserves the guitar’s resonance. A clean-cut appointment package includes Pinnacle inlays in Italian acrylic, a three-ring koa rosette and a dusky Urban Sienna stain on the ash back and sides. It ships in a super-durable yet lightweight AeroCase™.